effects the language of the"tion is intended to have on the reader and the purpose intended. In fictional writing, this might be that the writing of the"tion provides a particularly vivid description that sets a useful mood, or it creates a powerful and authoritative narrative voice, one that can be trusted and which is very persuasive; the language might. This is why an interpretation needs to be supported by giving a reference to whatever it was in the text that caused it to arise - usually in the form of a"tion. Literary conventions Fiction only appears realistic to make it work we have, in fact, to 'suspend disbelief' and we do this willingly. Using a"tion gives you the opportunity then to comment on the language of the"tion (see below). Digital edit This composition refers to work produced in digital spaces. Setting tone or mood, conveying one or more emotions or feelings through words.
Real life, of course, is certainly not coherent or unified, and this should show you just how unrealistic stories really are (although this lack of realism is hidden very well indeed). Typically, you should find yourself using, perhaps, one"tion per paragraph (of course, in a comparative essay, two"tions are more likely). And this is what you should" (and please remember, it's 'a"tion' not 'a".
This is where you explain your interpretation in depth by discussing the effects, qualities, methods and purposes of the language the writer used in the"tion you have used. Analysing AND discussing narrative Belief and trust are what a writer needs for a story to 'work' on its reader - and because we tend to trust narratives, it is far too easy to forget they are merely fiction and write as if a story. This means working out the effects the"tions create on the reader and the purposes intended by the author. Now for some detail! Thus digital rhetoric, or eRhetoric offers new ways of composing. For example, instead of telling you a character is, say, 'evil an effective writer would rather 'show' the character acting in an evil way, or describing features that seem evil. Composition relates to narrative works of literature, but also relates to essays, biographies, and other works established in the field of rhetoric.
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